PDF Download Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould
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Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould
PDF Download Behind Bars: The Definitive Guide to Music Notation (Faber Edition), by Elaine Gould
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Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavors of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. Chapters include: Section I - General * Conventions: Ground Rules * Chords -- Dotted notes -- Ties * Accidentals and Key Signatures * Dynamics and Articulation * Grace Notes, Arpeggiated Chords, Trills, Glissandos and Vibrato * Metre * Tuplets * Repeat Signs. Section II - Idiomatic Notation: Woodwind and Brass * Percussion * Keyboard * Harp * Classical Guitar * Strings * Vocal Music. Section III - Layout and Presentation: Preparing Materials * Score Layout * Part Preparation * Electroacoustic Music * Freedom and Choice.
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Product details
Series: Faber Edition
Hardcover: 704 pages
Publisher: Alfred Music (January 20, 2011)
Language: English
ISBN-10: 0571514561
ISBN-13: 978-0571514564
Product Dimensions:
6.2 x 2 x 9.2 inches
Shipping Weight: 3 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
55 customer reviews
Amazon Best Sellers Rank:
#140,017 in Books (See Top 100 in Books)
The book itself is probably what you expect it to be.Though book doesn't have a word about slash-notation (for percussion), tablature-notation (for guitar) [I think this one is pretty popular nowadays]. Conventional notation looks pretty well described. I didn't read whole book yet, but it does describe nuances such as, how to write chord with more than 2 unison notes.Now why not 4-5 stars...The KINDLE edition is simply awful!!! - the book is nothing more then bunch of page scans. It seems that there is no real text in it. You can't select/highlight words in it, so kindle's built in dictionary don't work with it. - Its LITERALLY unreadable, if you read it from 1920x1080 monitor. It's barely readable from my 7" Nexus 7(2011). Book page is scaled to fit your screen - everything is so tiny. - Zoom is NOT WORKING!!! If you'll try to read half-page size score - you probably couldn't see a thing. - Page numeration is wrong (Kindle's page number does not match page number printed in the page). - Book have working "hyperlinks" only in contents. For everything else you'll have to manually GO TO page(did I told that numeration is wrong?).It's not electronic book, its just pdf without zoom. If Kindle reader could at least zoom page...If you have option - go with printed version.
I recommend this book to any one who wants to know anything and just about everything about the rules of music notation. This book is completely thorough on this subject. I bought it since it had a positive review by Sir Simon Rattle who recently stepped down as the conductor of the Berlin Philharmonic. If someone with that type of music knowledge expertise has remarks like that, surely his opinion carries a lot of weight in my book. I am an arranger/composer for a wide variety of styles and I use the Finale software for my publishing. However, like the author in this book states: "I hope that a through understanding of the principles set out in this book will complement - indeed complete - the armoury of skills, short-cuts and techniques that the modern musician sitting at a computer has to hand." (--Introduction page xi). With that being said, I must say that NO music software can replace the human element. I personally am a perfectionist as to how the sheet music comes out of my printer. Matter of fact, I was one of those who used blank music sheets and ink to write down music not so long ago. My music school covered in a general way some of the notational aspects of this book. Some of these aspects needed to be refreshed in my mind; hence the functionality of this book. For instance, what length should the stems in a group of notes or a single note be? What determines the angle of the beams in a group of notes? No matter how much tweaking I constantly do in Finale, I still have to manually correct a big portion of the music within that software. Nowadays, many music schools do not even cover notational aspects like the ones found in this book and people tend to believe that any musical notational software will print out the perfect printed job. Do not get me wrong, using a notational software does aid in helping you publish music (I would not want to go back to using blank sheets of music and ink!) but as the author brilliantly mentions in her book's introduction: your acquired notational knowledge will complement your software skills and make you sheet music look awesome! Written music like any other written form of communication should be clear. Therefore, in the case of printed music, musicians should be able to focus on playing the music presented to them rather than having to do any guess work as to what could possibly be the arranger or composer's intention. With all of this being said, I strongly recommend this book!
This is the seminal source in the transcribing and scoring business.The book (a tome really) is packed with answers to all of the questions and issues you likely have about scoring.The only caveat I have is that, while all the information you need or want is likely in the book, you might have some difficulty finding it.I got the Kindle version of the book, and there could be substantial improvements in indexing, cross-referencing etc. The diagrams are gorgeous though, and that is a major feat when working with ePubs.If you are going to score your music then you really need this book.
First, I would like to say that this an excellent book. However, I was a bit disappointed and I do not believe that you can call this book truly definitive. The majority of the copy work I do is in a commercial context: musicals, film scores, horn parts, etc.This book contains nothing about the notation standards for more commercial genres. There is no information about chord symbols, rhythmic and/or slash notation, notation for drum set. Many techniques that are written for commercial brass and woodwinds are excluded. The proper sizing of time signatures for film or for a show are not discussed.This is an excellent book and covers most of the standards you would see in a classical ensemble, including many modern instrumental techniques. However, the exclusion of material associated with more commercial idioms is disappointing and was something I was looking for.
Excellent book but the Kindle version would be better in Amazon's Print Replica (PDF-like) format used for other music publications. It looks as if each individual page is actually a single graphic of the printed book. This guarantees that formatting remains authentic to the original but it doesn't have the clarity that I've found in Print Replica kindle books. Magnification makes it looks pretty blurry.
Awesome resources and very well indexed, My only complaint is after owning for a short time (under 2 months ) the binding is already showing signing of breaking which will be very upsetting considering the cost of this book . Maybe 2nd edition make into 2 volumes so that it isn't ruined with a little use .Or perhaps spiral bound so that its a useable resource book, without the worry that actual reading and use quickly breaks the binding .Other wise a lifesaver , very well written and covers almost every topic . Joy Bravin
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